Poet as Del Mundo- Press Release- Chili

El largo y sinuoso camino que llevó a Sylvia Brooks de regreso a sus raíces jazzísticas le proporcionó muchas historias dramáticas que contar. Con una voz suntuosa y aterciopelada, Brooks ganó una gran atención con sus dos primeros álbumes aclamados por la crítica, proyectos que introdujeron un sensual sonido de jazz-noir con reminiscencias de mujeres fatales y tipos duros, tratos corruptos y paisajes urbanos nocturnos en sombras profundas. En los últimos cinco años, ha centrado cada vez más su atención en escribir su propio material y crear sus propios personajes.

En su cuarto álbum, Signature de 2022, Brooks acepta el papel más desafiante de todos, definiéndose a sí misma con un conjunto de canciones originales bellamente diseñadas. Sus letras evocadoras y su entrega emocionalmente directa imbuyen a la música de una autenticidad ganada con mucho esfuerzo. Ya sea recordando con irónico afecto su juventud salvaje o lamentando un amor perdido, Brooks aporta al material una honestidad vigorizante y una aguda inteligencia emocional.

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The Midwest Record Review by Chris Spector

SYLVIA BROOKS Signature: When last we met Brooks, she had our vote for femme fatale of the year (any year). This time around, she’s toned down her look on the front cover, not disguising her maturity but not reveling in it either. Inside the jacket, you get the lady in red looking as dangerous as ever surrounding herself with the crème of SoCal jazz and displaying a world wiseness without a Marlena Dietrich world weariness. It’s ain’t an easy trick to pull off music as cinema but she does it again here. Well done throughout.
(Rhombus 7149)

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Music Critic, Richard Ginell reviews Sylvia Brooks new Jazz Album “Signature”

On her new album Signature, Sylvia Brooks voice is both lighter in weight and darker in color – a paradox, I know. There is more jazz and bluesy feeling early on with a deep searching for the meaning of the words. I’m intrigued by her lyrics. “The Boy That Lived There” is quite moving, and I can only wonder what led her to write “Red Velvet Rope”, about the goings-on behind the doors of those Miami nightclubs. There is a lot of lived-in heartbreak in the lyrics, and the record gets moodier and more subdued down the stretch before Leonard Cohen’s Boogie Street picks up the tempo while maintaining the downbeat mood as the last cut. The sound quality on this record is excellent.

Sylvia has come into her own with this album and her writing brings this project to a new level. I highly recommend it.

– Richard Ginell

What Michael Major from Broadway World has to say about Sylvia Brooks’ new Jazz Album “Signature”

Since her captivating debut in 2009, jazz vocalist Sylvia Brooks has displayed a gift for inhabiting different personas, with a subspecialty in film- noir inspired femmes fatale. On this – Signature (Rhombus Records) – her fourth album, she embraces the most challenging role of all, defining herself with a set of beautifully crafted original songs.

Her evocative lyrics and emotionally direct delivery imbue the music with hard-won authenticity. Whether looking back with wry affection on her walk-on-the-wild-side youth or lamenting a lost love, Brooks brings bracing honesty and poise to the material.

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