George W. Harris – Jazz Weekly

Oct 30, 2017 | Blog

The rich and chesty voice of Sylvia Brooks is clear and alluring on her delivery of jazz and pop standards. She’s got a rich and seductive vibrato, well delivered on the late night “Angel Eyes” while sounding like a sincere story teller on “Eleanor Rigby.” She knows how to veer through a hip rhythm team, as she sears through the hip horns on “Perhaps, Perhaps, Perhaps” and struts through a shuffling “Cold Cold Heart” while keeping upbeat on a perky “Midnight Sun.” She can get deep and attractive on the misty “Besame Mucho” while vulnerable yet accusing on “Guess Who I Saw Today.” She’s able to let her voice tell a story, using the lyrics as guideposts.

You might also enjoy reading these…

How Signed Jazz Albums Preserve the Legacy of the Golden Era

How Signed Jazz Albums Preserve the Legacy of the Golden Era

Why Jazz Collectibles Still Matter In a world where music is increasingly more digital, disposable, and easily accessible than ever before, it can be something profoundly grounding to hold an actual album in your hands. Even more so when said album bears the...

Ink and Emotion: The Deep Sentimental Value of Signed Jazz Records

Ink and Emotion: The Deep Sentimental Value of Signed Jazz Records

When Music Becomes Personal In an age defined by streaming music, algorithm-driven playlists, and online storefronts of every song you'd ever want to hear, a click delivers it into your hand. Even though we are now more closely connected with music than ever before,...